Brunette,
yellowish face and bare legs. Constellations of bruises on a swollen
body that, lying on the smelly bed of an American hotel, was found by
the police, one morning like many in January 2018. Olivia Nova, born
Lexi Forde, died alone, hours before the forces of order they crossed
the threshold of his bare room. At the age of twenty, she was killed by a
kidney infection. A thing of nothing: ordinary administration, which
antibiotics scattered on the bedside have not been able to remedy.
"Sepsis", has decreed the coroner's report, putting the case of the
young Olivia between the meshes of a more complicated plot, in which -
riottos - the affectionate of the American porn is agitated.
Like
Olivia Lua, who died at the age of 23 for swallowing a lethal cocktail
of drugs and alcohol at the same West Hollywood clinic where she was
supposed to be detoxified, Nova, by profession, was a hard actress.
Young, inexperienced, cannon fodder in what Karen Lancaume, a suicidal
porn star in 2005, called "red light slaughterhouse".
"Rest
in peace, little angel", wrote the Direct Models, Nova agency,
dismissing as "sudden" an absurd death, whose precocity was added,
instead, to a gloomy picture. In the past two months, in the middle of
the San Fernando Valley, at the other end of the Hollywood hill, five
girls have left. Drugs, depression, addictions, fear. To kill them,
leaving them stretched out on the floor, dangling from a tree, a few
steps beyond their Californian houses, was a common obscurity. A
darkness that hovers around the porn industry, which the media today
rebuke to want to mystify, through a silent silence, a problem that is
called "exploitation".
Miserable wages, massacre
rhythms, demands on the edge of legality. The porn industry, whose
stagnant billing Ibis World says can increase by 1 percent by 2020,
would have abused Yuri Luv (31, overdose), Shyla Stylez (35, the coroner
has not yet espresso), by August Ames (23, suicide after a social
pillory), Olivia, Nova and Lua. Meteors of a whirling universe where,
alone, there is a rule: "Turn quickly and produce more".
Ilona
Staller, in Cicciolina art, whose first red-light film ("La Conchiglia
dei desideri") dates back to 1983, defines the world of hard,
"distorted", transfigured its protagonists. "The market today is
dominated by increasingly extreme genres, not by the name of a single
actress," explains the pornodiva to the sheet that, again, for hosts and
shows, adorns the head with the flowers and the crowns of the gold.
"The public, once used to see two people enjoying each other's sex,
wants to subtlety. He asks for interpretations against nature, violent
scenes. It tests the dignity of women who, if they are beginners, then
risk taking the signs of those practices with them ". Divism is over,
engulfed by exploitation.
Complice internet, free video
aggregators - Pornhub, alone, in 2017 recorded 24.7 billion searches
(800 per second) - users have increased, earnings decreased. "This ease
of use has discredited the artistic side of the hard actress and brought
the producers to scramble in the competition. The demands are more
difficult to meet, the stress is greater, the depression has covered the
sets ". And segregation, in a society capable of "injuring indelibly",
has become a real danger.
"Today we need to fight for
the dignity of the workers in the industrial industry. Being a hard
actress in 2018 means dealing daily with social comments and judgments
that often harm the honor of the individual ", continues Staller,
attesting the existence of an emergency against which he is, instead,
more fatalistic Giampiero Mughini. The writer, who has dedicated a book
to porn and its transformations ("Sex Revolution", Mondadori, 2007),
finds that in the five deaths there is nothing more than chance. "The
possibility that porn sets are transformed into slaughterhouses is a
concrete thing. I imagine there are girls who, for money or hunger,
agree to shoot two or three films a day. But a universal rule I do not
believe can exist: the human being faces every circumstance with his own
subjectivity, his head and inclinations ", explains Mughini to the
sheet. "Many other jobs run the risk of becoming slaughterhouses. The
trains on which the commuters, at six in the morning, are forced to
climb are slaughterhouses. I do not think that American actresses are on
the brink of the precipice. No more, at least, than all humanity is,
for which living is very difficult ".
Mughini, who
says that porn is "art like any language", capable of interpreting
reality, does not see exploitation or recognize the disappearance of
that eighties divism that has made Moana Pozzi, Selen and Cicciolina of
the paladins of sexual liberalization "In the United States, there are
porn stars like Tori Black, famous inside and outside the red light
universe. Proudly proud of being hard actresses. Taboo and moralism have
failed - continues the writer - the Inte
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